Thursday, September 26, 2019

Proudct design Essay Example | Topics and Well Written Essays - 2000 words

Proudct design - Essay Example The attribution of newness usually arises in association with positively valued qualities, often supported by the inclusion of criteria such as originality, progress, or truth. From a historical perspective, the positive treatment and appreciation of newness can be described as a consequence of the functional differentiation of modern society. Religion, the political system, science, business, and art not only display different degrees of receptivity to novelties, they also react to it at different speeds. The appreciation of newness can be observed, in particular, in the field of fine art towards the end of the 19th century (Hughes 1971). The establishment of the idea that the value of works of art arises from the special skill of the artist and the privileging of the original over the copy, channeled attention to new works of art. The associated appreciation of newness also abandoned the idea of the work of art as a representation of reality and therefore highlighted the self-referentiality of art (Luhmann 1999b). Hence, newness assumed a key position within the art system both in the sense of a product (novelty) and in the sense of an evaluation criterion (newness). Newness plays an increasingly significant role in the field of science and technology. There is a permanent quest in these fields for new scientific insights and technological inventions, which are only deemed to be novelties if they extend or transform technological and scientific paradigms (Schummer, forthcoming). In addition, technical objects and scientific facts achieve visibility and value by being marked as â€Å"new†, thereby providing orientation to users. Can newness be considered new any longer? Is the concept of originality in contemporary art even possible or relevant? Interpreted as fresh, transformative, or even deliberately backward-looking, the idea of newness seems empowered by our own personal and

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